Five Hollywood Movies That Exposed Illuminati
June 3, 2013
Bankrolling wars is not about the
outcome of wars, but generating debt from wars, and that "this is the
very essence of the banking industry, to make us all -- whether we be
nations or individuals -- slaves to debt." (From "The International") Conspiracy pioneer Jim Perloff reviews
a handful of movies that tell the truth
about world power.
by James Perloff
(henrymakow.com)
Hollywood is no place to find political truth. Although it has produced--with increasing rarity--some uplifting films, and even anti-Communist ones during the Cold War, movies exposing the Illuminati and how they operate are almost nonexistent.
However, an occasional film has slipped through -- or was permitted to. (I don't refer to Illuminati films with sly Illuminati references, but movies genuinely opposing them.)
One was 1970's made-for-TV The Brotherhood of the Bell, reviewed by Dr. Makow and viewable on YouTube.
2) "MURDER BY DECREE"
Also on this site, John Hamer unveiled the truth about the Jack the Ripper slayings. The victims were a group of prostitutes who attempted to blackmail the royal family. Prince Albert Victor had impregnated and secretly married one of their number. The royal family entrusted the girls' elimination to high-ranking Masons, who slew them in Masonic ritual style. The last girl's death reveals why the murders suddenly halted, as did police investigation. The compromise of Charles Warren, metropolitan police commissioner -- and 33rd degree mason -- largely explains why the crimes went "unsolved."
Many of Hamer's revelations were dramatized in the 1979 film Murder by Decree. Although the plot set fictitious Sherlock Holmes (Christopher Plummer, with James Mason as Dr. Watson) after the Ripper, it captured much of the reality. In a memorable scene, Holmes throws Charles Warren off guard by greeting him with an upper-level Masonic handshake. See this very anti-Masonic scene here.
3) 'THE WILD GEESE'Truths must usually take a back seat to plot, because preachiness undermines a film's appeal. The Wild Geese (1978), about mercenaries rescuing an African leader, was generally considered a simple action flick. But the leader was modeled on Moise Tshombe, the Christian who attempted to secede his province, Katanga, after the Congo came under Soviet-backed Patrice Lumumba. Tshombe's forces battled UN (world government) troops imported to force his hand, and after exile he died under questionable circumstances.
In the film, the mercenaries are hired to rescue the leader by a treacherous merchant banker whose interest is copper concessions, and who is so powerful that he intimidates London's mafia. While the mercenaries are in Africa, in London the banker negotiates a new copper deal with the country's dictator, leaving the betrayed mercenaries to fight their way out against Simbas and their Cuban and Soviet advisers. Politically incorrect to the hilt, one of The Wild Geese's heroes is a white South African.
The banker, Sir Edward Matherson, seems modeled on the Rothschilds, long invested in African mining, and long partnered with Jardine Matheson. When the mercenaries' leader, Colonel Faulkner (Richard Burton) first meets Matherson, there is immediate mutual dislike. Faulkner asks brusquely, "What do I call you? Sir Edward?" Matherson haughtily replies, "You do."-- possibly a veiled reference to the Rothschilds acquiring titles via wealth (Nathan Rothschild was Britain's first Jewish peer).
Superbly scripted 4) Chinatown (1974) underscored the near-futility of battling the conspiratorial schemes of the super-rich -- and the frustrations of persuading people that such conspiracies exist. There is a memorable confrontation between the hero, private detective Jake Gittes (Jack Nicholson) and the villain -- ruthless , depraved multimillionaire Noah Cross (John Huston), whose daughter bewails that he "owns the police." Gittes asks him a question many have wanted to ask banksters: "Why are you doing it? How much better can you eat? What can you buy that you can't already afford?" Cross replies: "The future!"
5) 'THE INTERNATIONAL'
The International (2009) pits Interpol agent Louis Salinger (Clive Owen) and New York assistant DA Eleanor Whitman (Naomi Watts) against a multinational bank, the IBBC. Besides realistically portraying the banksters, and their infrastructure of lawyers and compromised police, many interesting revelations are woven in.
Salinger and Whitman approach an Italian arms magnate who has just aborted a deal with the bank. From him, they learn that the IBBC is brokering arms to Third World nations. They discover that bankrolling wars is not about the outcome of wars, but generating debt from wars, and that "this is the very essence of the banking industry, to make us all -- whether we be nations or individuals -- slaves to debt."
Later in the film, Salinger captures Wilhelm Wexler, who runs the bank's security. Asked how the bank can be brought down, Wexler replies:
"Your idea of justice is an illusion. Don't you know that the very system you serve and protect will never allow anything to happen to the bank? On the contrary, the system guarantees the IBBC's safety because everyone is involved."
Salinger asks who "everyone" is; it includes the CIA, his own government, and multinational corporations. Says Wexler: "This is why your investigative efforts have been undermined and why you and I will be quietly disposed of before any case against the bank ever reaches a court of law... If you really want to stop the IBBC, you won't be able to do it within the boundaries of your system of justice -- you will have to go outside." Salinger does. See this superb scene that explains more than I can here.
FINALLY, I can't overlook two non-Hollywood movies - the must-see Occult Forces, a 1943 French film that brilliantly exposed Freemasonry --probably made possible by the brief advent of Vichy France -- and whose director and producer were both executed after the war; and the movie, "1984" , which so prophetically portrayed today's age of increasing surveillance and totalitarian control, filmed several times, but none better than the Hurt-Burton version. I'm sure this website's readers know other examples.
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James Perloff is author of The Shadows of Power and Tornado in a Junkyard. His newest book, Truth Is a Lonely Warrior, available in Kindle format, is a comprehensive look at the satanic drive for world government.
Michael said (June 5, 2013):
The Black Legion (1937) with Humphrey Bogart should also be mentioned.